Greetings, my name is Alexzaviar, I am a Colorado based Music Producer, multi-instrumentalist, composer, mixer and remixer.
It is my job to provide you with the technical skills that will realize your artistic vision.
Add additional production on to your demo, produce tracks for your vocals, or start from the beginning and build a track from the ground up. Contact us and tell us about your project and we can start shaping your masterpiece.
Get a completely fresh and different take on your tracks. Remixes that will incorporate organic hardware, as well as in-the-box libraries combined with some organic instrumentation in order to set your tracks apart.
Drum and instrument editing, tuning vocals, and tempo mapping are just a few services that will tighten up your session. Such as taking out excessive breath, bass and guitar finger squeaks, or any other unnecessary noises.
From drum beats to synths to full orchestras, we can build MIDI elements taking your vision to the next level. Adding swells, risers, explosions, and additional elements to add excitement to your project.
We can take your recorded tracks and blend them together to get your track to sound like those of the artists you love. Let us help you manifest your dreams by focusing on what you envisioned.
Prepare your session to your specs, from organizing and naming tracks to color coding to gain staging. We can work with Pro Tools, Cubase and Reaper.

Most mix notes weld together what a listener heard and a guess at the fix. Ask for timestamps instead of opinions, and the notes get a lot more useful.

I picked an ambient bed for a spoken-word piece by mood and nearly buried the voice. Surf lives in the low mids, right where a vocal needs room.

My rough mixes lived in a folder for years. Putting them in a shuffled playlist next to finished songs showed me which ones were actually done.

I treated rhythm guitar as a harmony part for years. Then I soloed one in a crowded mix and heard a second drummer fighting the hi-hat.

Home recordings don't give themselves away in the verse or the chorus. They give themselves away in the two bars between them.

Reverb only does one of the three jobs your ear uses to judge distance. Real depth in a mix gets captured at tracking, not added later.

If two tracks sound fine soloed and bad together, that is an arrangement problem wearing an EQ costume. Separation comes from note choice, not from carving.

Your chorus doesn't lift because of what it contains, but because of the distance between it and the eight bars before it. Contrast is built in the verse.

The gibberish you sing over a fresh melody is not a placeholder. It is a transcription of the melody's physical shape, and most finished lyrics quietly break it.